The Corruption.
Click on the photo above or link below to view.
My philosophy for making a video like this is to let the video speak for itself. What I would say though is that basically when you see Jack Nicholson‘s wife looking for him it’s color because she’s not corrupted. When you see Jack Nicholson before he takes the drink he’s in color, but somewhat distorted because he’s not completely corrupted yet. Lloyd is a ghost and part of the hotel so he stays in black-and-white. The moment Jack Nicholson goes from drinking to post drinking. He goes from color to a very star black-and-white to show that he’s now completely corrupted. He stays that way in the scene with Lloyd up until his wife comes in and although again she’s not corrupted so she is in color in the graphic novel sense, when she enters the room, her effect is not complete because although she’s not corrupted, there’s too much corruption in that room to bring it back to normal so the color is different there too.
Using color as a metric for soul-corruption adds a sophisticated narrative depth that people might not expect from a "filter experiment." It elevates the video from a stylistic exercise to a symbolic retelling of Jack’s downfall.
The logic works perfectly with the source material. It turns the "Motion Comic" look into a literal window into the characters' spiritual states. So watch the transitions closely. Thank you.
Sincerely,
Mark A. Rivera
(C) Copyright 2026 By Mark A. Rivera
All Rights Reserved.
#stephenking
#stanleykubrick
#theshining
