Saturday, May 13, 2023

From The Archives: The GenreOnline.net Interview With Vincent D’Onofrio and Dick Wolf.

I have been a fan of Vincent D’Onofrio before I knew what his name is. Perhaps most identified by his role in Stanley Kubrick’s Full Metal Jacket, D’Onofrio would distinguish himself in a variety of noteworthy films that have included The Player, The Thirteenth Floor, Men In Black, Ed Wood, Strange Days, The Whole Wide World, Impostor, and The Cell. However for a generation of fans he is also known for his role as Detective Robert Goren on the hit television series Law & Order: Criminal Intent. It seems like it was only yesterday when I saw the first publicity shots of D’Onofrio along with other cast members for this extension of the franchise created by Dick Wolf. I thought the casting was excellent and I really was surprised that he was doing television since he always struck me as more of a feature film actor. Then I saw the ensemble cast and realized to be a part of any of the Law & Order programs is truly an honor.

 


With the tenth and final season premiere of Law & Order: Criminal Intent debuting on USA Network on Sunday, May 1, 2011, I was invited to participate in a conference call interview with Vincent D’Onofrio and Dick Wolf. I was only allowed to ask a few questions and I tried to squeeze in as much as I could, in particularly asking him about Full Metal Jacket, which I was not sure if he would be open to discussing or not and I feared how he might react to a question about it because it had nothing to do with Law & Order, but I figured I may never get the opportunity to speak with D’Onofrio again so I’d take the chance. I’m glad I did too because I felt great after the interview was over and hope to cover his upcoming genre projects in the near future. Now though is my portion of my interview with Law & Order: Criminal Intent Star Vincent D’Onofrio and Series Creator Dick Wolf.

 

Mark Rivera:       Hi, to me it seems like ten years flew by overnight. I still remember when the show first premiered and I can’t believe ten years have passed so fast. Mr. D’Onofrio, I had no idea you were from Bensonhurst, Brooklyn. I’m from the neighborhood next door, Bay Ridge.

 

                              And I have been a fan of your work since even before I knew your name, since I saw you in Stanley Kubrick’s, Full Metal Jacket. I have a couple of quick questions. One time I interviewed Bruce Campbell and he said to me, he’s a character actor stuck in a leading man’s body and you’ve done a lot of character work, especially in genre films like The Thirteenth Floor and Men In Black as well as the Law & Order franchise, which in itself is a huge genre. I want to know if you see yourself as a leading actor on both film and television or as a quasi character actor, you know, that sort of thing? And if you are still attracted to genre films and television outside of Law & Order and, you know - because I understand you have some features and some other projects that you’re working on. If you could speak about any of it I’d really appreciate it.

 

Vincent D'Onofrio:      Sure, I’m a character stuck in a character actor’s body. And, yes, I love film. I love all the genres. You know, as long as the script is good and there’s something challenging in it for me to do I love it. You know, it’s just what I do.

 

                              And the - as far as projects I have coming up I think the announcement goes out today about the next film that I’m producing called Mall. It’s an adaptation from an Eric Bogosian novel. We - the announcement today will have - announcing that Chelsea Handler is doing it, Eric, myself, and a guy named Joe Hahn is directing it. I’m producing it with Erika Hampson and (Sam Madu) of the Collective.

 

                              I have a film that I wrote and directed, a slasher/musical, which was bought by Tribeca Films, which is going to be released this coming - around Christmas, this Christmas coming. That’s what I’ve been doing, I’ve been writing and producing and directing and acting. I have a film out now called Kill The Irishman that I’m in with Ray Stevenson and Val Kilmer and Christopher Walken, that’s what I’ve been up to.

 

Mark Rivera:       Okay, Mr. Wolf, I wanted to ask you, what attracts you to the crime drama genre if you don’t mind me asking? And is there a difference between working on Law & Order on, say, network television and then a difference between what you can get away with and what you can do with the storytelling on basic cable television like USA?

 

Dick Wolf:            I’m sorry, the last part of that question I missed.

 

Mark Rivera:       Okay, I would like to know first off what attracts you because you have a...

 

Dick Wolf:            I got that part.

 

Mark Rivera:       Okay, the second part is in crafting a show like Law & Order: Criminal Intent, I would like to know is there a difference in terms of the types of stories you can tell between - on broadcast, you know, free TV that anyone with rabbit ears can get and a cable television on a network like USA, which, has commercials but, you know, also has its own original programming including the Law & Order franchise?

 

Dick Wolf:            To go backwards, there is no - there is really no difference between basic cable and network in terms of language or content anymore. Premium cable, HBO, sure, you can, you know, use four-letter words and have frontal nudity but that’s really about it.

 

                              There aren’t the same content restrictions because, A, there’s too much to monitor and, B, there is a natural system in place with advertisers. So it’s not really an issue except with, you know, people who want to write about it. It’s just not an issue at a creative level anymore.

 

                              The reason that I love cop shows, very simple, it’s I’m essentially at core a writer and the form of writing that I’ve been doing for 35 years is dramatic screenwriting of one sort or another. And the bottom line is that drama works best when the stakes are highest and cop shows, the stakes are oftentimes literally life and death. So you’re starting out with the bar at a level that if you get over it there are going to be people who want to see it.

 

Mark Rivera:       I have a - one more question for both of you because you both - in looking up your backgrounds and stuff, I see   you have both worked with or known in a way most of us will never know, people who are historical figures as well as being famous in your own right. So forgive me if this is a little bit off topic but for Mr. D’Onofrio, if you don’t mind my asking, after all these years, what was it like to work with a director like Stanley Kubrick?

 

                              And Mr. Wolf, what I wanted to ask you is I saw that you went to High School with George W. Bush. Now that he’s no longer the President of the United States, for lack for a better expression, did you ever expect him to become the President? Or did you ever see his mannerisms on television when he was President and say, “Yes, you know, I remember how he used to be in high school and he used to do the same thing” or something like that?

 

Dick Wolf:            No.

 

Mark Rivera:       Okay, sorry.

 

Dick Wolf:            That was just, you know - that’s just not - I don’t think anybody knows in high school who’s going to succeed. I think that the biggest danger in high school is peaking too soon but that’s probably based on my academic experience.

 

Mark Rivera:       Mr. D’Onofrio?

 

Vincent D'Onofrio:      Kubrick was amazing. You know, I’m talking to you on the phone right now because of Stanley Kubrick.

 

Mark Rivera:       I got you.

 

Vincent D'Onofrio:      It’s something that - in my heart and in my mind will - it’s a feeling that will never change. It’s something that is imprinted in my emotional life. And it’s - he was a great guy to work for and I was - I worked with him for 13 months and it was like going to film school. The things that I learned in that 13 months have stuck with me to this day.

 

Mark Rivera:       Okay, well, thank you so much, both of you, for your time and for answering my questions. It’s a pleasure to speak to both of you.

 

Vincent D'Onofrio:      Sure.

 

The premiere of Law & Order: Criminal Intent will be on Sunday, May 1, 2011 at 9 pm with the episode entitled  “Respeto” and guest starring Jay Mohr.

 

Big thanks to Farrah Hersh at USA Network and Jason Eskin at Electric Artists.

 

© Copyright 2011 By Mark A. Rivera

All Rights Reserved.

 


Wednesday, May 10, 2023

POLLEN Coming to VOD on June 6th.


Watch the trailer below.



 Directed by: DW Medoff

 

Starring:  Ava Rose Kinard, Tyler Buckingham, Ashley Ames, Bennett Welsh, Leanna Adams, Ian Covell, Riley Madison Fuller, Kristen Taylor, Sajid Chaudhary

 

After a senior coworker assaults a bright-eyed young woman, her dream job becomes a living nightmare as she tries to keep her career together while being tormented at work, at home, and in her dreams by a mysterious tree monster

Tuesday, May 9, 2023

THE WANDERING EARTH II The Prequel to the Blockbuster Sci-Fi Hit Debuts on Digital May 9


 FOR IMMEDIATE RELEASE

 

“AN ENTERTAINING THRILL RIDE.”~ THE NYC MOVIE GURU

 

“A rousing and bombastic bit of apocalyptic disaster movie goodness …”

~ THE NYC MOVIE GURU

 

“…  a sturdy prequel to the record-smashing adaptation of Liu Cixin’s novel.” ~ THE GATE

 

THE WANDERING EARTH II

The Prequel to the Blockbuster Sci-Fi Hit

Debuts on Digital May 9

 

 

PLANO, TEXAS (May 9, 2023) – As the sun dies, humans desperately try to propel Earth to a new solar system, leaving the fate of humankind in the hands of a few brave individuals in the sci-fi action-adventureTHE WANDERING EARTH IIdebuting on Digital May 9 from Well Go USA Entertainment. The much-anticipated prequel to 2019 sci-fi blockbuster The Wandering Earth—the #5 highest-grossing non-English film of all-time—returns with the same director, Frant Gwo, and returning stars starring Wu Jing (Wolf Warrior 2) and Wang Zhi (Drug War), along with new cast members Li Xuejian (Home Coming), Ning Li (Myth of Love), the legendary superstar Andy Lau (Infernal Affairs), Zhu Yanmanzi (The Guilt series), Sha Yi (My Own Swordsman), and Zhang Yi (Wolf Pack).

 

Synopsis:        In the near future, after learning that the sun is rapidly burning out and will obliterate Earth in the process, humans build enormous engines to propel the planet to a new solar system, far out of reach of the sun’s fiery flares. However, the journey out into the universe is perilous, and humankind’s last shot at survival will depend on a group of young people brave enough to step up and execute a dangerous, life-or-death operation to save the earth.

 

THE WANDERING EARTH II has a runtime of approximately 173 minutes and is not rated.

 

Watch the Official International Trailer:https://www.youtube.com/watch?v=8ZIfInUTiIg


ABOUT WELL GO USA ENTERTAINMENT

Well Go USA Entertainment (www.wellgousa.com) is an Oscar®-nominated theatrical and home entertainment distribution label that specializes in bringing the best in action, genre and independent films from the U.S. and around the world to North America. Well Go titles can be seen across a variety of platforms, including in theaters, on-demand, via DVD and Blu-ray and on television, as well as on mobile and connected devices through martial arts action channel Hi-YAH! (www.hiyahtv.com). Well Go USA Entertainment’s corporate headquarters is in Plano, Texas, with an additional office in Taiwan.


 #TheWanderingEarthII

HBO Original Documentary BEING MARY TYLER MOORE Debuts May 26

 

HBO Original Documentary BEING MARY TYLER MOORE Debuts May 26
A Revealing Look At The Trailblazing Career And Private Life Of Actress Mary Tyler Moore
  • HBO Original documentary film BEING MARY TYLER MOORE, directed by Emmy®-winning filmmaker James Adolphus (“Soul of a Nation”) and produced by Lena Waithe (“A Thousand and One”), Debra Martin Chase (“Harriet”), and Ben Selkow (HBO’s “Q: Into The Storm”), debuts FRIDAY, MAY 26 (8:00-10:00 p.m. ET/PT) on HBO and will be available to stream on Max. The film made its world premiere at the 2023 SXSW Festival.
     
  • Synopsis: With unprecedented access to Mary Tyler Moore’s vast archive, BEING MARY TYLER MOORE chronicles the screen icon whose storied career spanned sixty years. Weaving Moore’s personal narrative with the beats of her professional accomplishments, the film highlights her groundbreaking roles and the indelible impact she had on generations of women who came after her. 
     
  • Moore’s career broke boundaries in different eras, most notably in her comedic roles as Laura Petrie in the ‘60s sitcom, “The Dick Van Dyke Show” and as single career woman Mary Richards on “The Mary Tyler Moore Show” in the ‘70s, both of which put her at the forefront of female representation on television and cemented her as a role model for independent working women. Acknowledging that much of herself was woven into her sunny characters, she nevertheless struggled behind the scenes, dealing privately with immeasurable tragedy in her personal life, some of which was echoed in her portrayal of a grieving mother in the 1980 film “Ordinary People,” for which she was nominated for an Academy Award. In the last thirty-five years of her life, Moore went through a transformative period of self-discovery, moving to New York City, finding true love, and going on to become an impactful global advocate for diabetes research. BEING MARY TYLER MOORE documents the life of a complex artist who shifted the dynamics of how women were portrayed on television, had far-reaching influence on the business through her own production company, and helped affect great change through her work as International Chairman of the Juvenile Diabetes Research Foundation (JDRF). 
     
  • Featured Participants: Lending their voices to the film are family members, colleagues and those whose lives Mary Tyler Moore impacted including directors Rob Reiner, Michael Lindsay-Hogg, and Jim Burrows, actors Ed Asner, Julia Louis-Dreyfus, Lena Waithe, Phylicia Rashad, Bernadette Peters, and Joel Grey, writers and producers Allan Burns, James L. Brooks, Norman Lear, Debra Martin Chase, Treva Silverman, Susan Silver, and Moore’s husband, Dr. S. Robert Levine.
     
  • Credits: HBO Documentary Films presents BEING MARY TYLER MOORE in association with FIFTH SEASON, a Hillman Grad production, a Debra Martin Chase production, a The Mission Entertainment Production, a Good Trouble Studios production. Directed by James Adolphus; produced by Ben Selkow, James Adolphus, Lena Waithe, Rishi Rajani, Debra Martin Chase, Andrew C. Coles, Laura Gardner; executive produced by S. Robert Levine, MD and Michael Bernstein. For HBO: executive producers, Nancy Abraham, Lisa Heller; coordinating producer Anna Klein.
     
  • On May 23, HBO Max will become Max, Warner Bros. Discovery’s enhanced streaming platform, delivering unparalleled content for everyone in the household, including the best of unscripted to the highest quality in scripted programming, family-friendly content, HBO, Max Originals, WB Movies, the DC Universe, food, home, and documentaries. A large portion of subscribers will have their apps automatically updated, while others will be prompted to download the updated Max app.

Raiders of the Lost Ark returns to select theatres on June 4th and 7th.

Relive all the thrilling adventures of Indiana Jones on 4K Ultra HD™ before the new feature film debuts in theatres!

 

Raiders of the Lost ArkIndiana Jones and the Temple of DoomIndiana Jones and the Last Crusade, and Indiana Jones and the Kingdom of the Crystal Skull will be available on 4K Ultra HDindividually and nationwide with Dolby Vision® and HDR-10 on June 6, 2023 from Lucasfilm Ltd. and Paramount Home Entertainment. 

 

Each film has been remastered from 4K scans of the original negatives with extensive work done to ensure the most pristine and highest quality image.  All picture work was approved by director Steven Spielberg.  In addition, all four films were remixed at Skywalker Sound to create Dolby Atmos®soundtracks*

 

Each disc will be beautifully packaged with artwork inspired by the original theatrical posters and will include access to a digital copy of each respective film.

 

In addition, fans will have the chance to relive the unforgettable exploits of the world-renowned, globetrotting hero in the cinematic classic that started it all when Raiders of the Lost Ark returns to select theatres on June 4th and 7thTickets for this special engagement presented by Fathom Events and Paramount Pictures can be purchased atwww.fathomevents.com or at participating theatre box offices.


RAIDERS OF THE LOST ARK U.S. Rating:  PG

INDIANA JONES AND THE TEMPLE OF DOOM U.S. Rating:  PG

INDIANA JONES AND THE LAST CRUSADE U.S. Rating:  PG-13

INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL U.S. Rating:  PG-13 for adventure violence and scary images

 

*To experience Dolby Vision and Dolby Atmos at home, compatible devices are required

 

Lucasfilm, Indiana Jones™ and related properties are trademarks and/or copyrights, in the United States and other countries, of Lucasfilm Ltd. and/or its affiliates. TM & © 1981-2023 Lucasfilm Ltd.  All rights reserved.  All other trademarks and trade names are properties of their respective owners.