Sunday, December 2, 2018

The Matrix Trilogy: 4K Ultra HD Blu-ray Disc Set Review

Taking The Red Pill Once Again… An Overview Of The Matrix Trilogy On 4K UltraHD Blu-ray Disc.

Every year it seems that there is at least one genre feature film franchise that gets special treatment with enough features to keep one busy in front of their monitors for hours. This year Warner Home Video released The Matrix Trilogy 4K UltraHD Blu-ray Disc Set in both a glossy cardboard slip and available separately in Black BD cases. I prefer the artwork for the three films in the trilogy set and so unless you are only buying the first film, you might want to splurge on the trilogy set as a whole to get the new transfers and extra features, which are now all on Blu-ray Discs as opposed the BD/DVD mix found in the Ultimate Matrix Collection released over a decade ago.
Regardless of how one may feel about the second and third feature films in the series, the truth is that The Matrix Trilogy is one of the most popular American science fiction feature film franchises ever produced. The Matrix is truly an example of post-modern mythology and just as George Lucas’ original Star Wars: Episode IV: A New Hope changed the way space opera films and television shows were produced with what was then ground breaking technology that no one had ever seen executed in such a way before, The Matrix truly has changed the manner in which films and television programs of all genres are produced today.
Originally released on DVD in 1999, The Matrix is one of the best selling DVD titles of all time and probably had an impact on DVD player sales thereafter. Times have changed a lot since 1999. We now have technology that appears to grow exponentially more sophisticated in almost every area of being. DVD-Video has changed so much that The Matrix DVD that was released back in 1999 seems antiquated in comparison to what has followed since. Producer Joel Silver had commented over the past year or so a wish to revisit The Matrix on Home Video again and release a version with better picture quality. With the trilogy complete and all of the films already available, The Wachowski’s along with Director of Photography Bill Pope supervised the new digital transfer of The Matrix.
The Matrix 
Day-in, day out, humanity has been lulled into an illusion created by all-powerful machines that comprise a large network of sentient artificial Intelligence, who use humanity literally as batteries in a nightmarish symbiotic relationship. However, a prophesy of one who will lead the fight to free humanity from the matrix has a select group of freedom fighters jacking into the matrix in search of their savior while trying to evade the clutches of the Agents, computer anti-virus programs that are practically unstoppable within this artificial world. 

Honestly, this film is so huge and was so successful, I do not think an extensive review of the film itself is necessary except to say the Wachowski’s have managed to take elements from Hong Kong Cinema, Classic Science Fiction, Japanese Anime, Religion, Mythology and so on and created something that as a whole is original on to itself. The Matrix is the rare film that satisfies on so many levels that almost anyone can watch the film and enjoy it. In short, The Matrix is truly “the whole package!”

Warner Brothers new 4K UltraHD Blu-ray Disc features a (2.40:1) widescreen transfer enhanced that is simply great coupled with an intense English Dolby ATMOS TrueHD Soundtrack. The difference in picture quality is in my opinion profound. The Matrix just looks so mind blowing that comparing this new transfer to the original is like comparing the original to a VHS tape. The green tone of the matrix is more pronounced, but less fuzzy. The world outside the matrix has a blue tint to it that distinguishes the two realms more clearly than ever before. The  Soundtrack seemed a bit crisper, but the soundtrack difference did not jump out at me the way the picture quality on the disc caught my eyes. A French Language (Dubbed in Quebec) Dolby Digital 5.1 Surround Soundtrack and a Spanish Language 2.0 Soundtrack is also included along with English Subtitles for the hearing impaired and French and Spanish Language Subtitles encoded as options. 

To provide a greater contrast, which they hoped would encourage further conversation about The Matrix Trilogy as a whole; The Wachowski’s have elected to have Philosophers Dr. Cornel West and Ken Wilber provide feature length commentary for all three films while on an alternate track, Critics Todd McCarthy of Variety, John Powers of Vogue, and David Thomson, Author of The New Biographical Dictionary of Film provide a different point of view that is purposely not always favorable with regard to the trilogy as a whole. 

West and Wilber seemed very much beside themselves while discussing the film in part from the context of being only a part of a greater whole. At times they can’t help but reveal spoilers of things to come and at other times they both don’t say a word as if they’ve become captivated by the action itself. In contrast the Critics never stop talking and are not quite as enthusiastic about the film as the Philosophers are, but they are generally positive in their comments about the film, recognizing that this film resonates more with younger people than it does older people. Overall, I found both commentary tracks to be extremely interesting and entertaining. 

The Matrix Revisited 
Originally released in the autumn of 2001, The Matrix Revisited is presented again here in a (1.33:1) aspect ratio. This behind-the-scenes look at “The Matrix” in many ways seems more like an extended EPK and some of the comments regarding the second and third films in the trilogy just don’t seem to carry as much weight as they might have because by now anyone who is a fan of the series has seen all three films on big screen and multiple home video formats already so it just doesn’t hold up as well as just watching the movie itself. I found the extra value materials included to be more entertaining than the 122-minute documentary. The Music Revisited contains nearly three hours of music chosen by the Wachowski’s in creating the film. The six Behind The Matrix featurettes (17:15) as well as the two Take The Red Pill featurettes (17:99) and six Follow The White Rabbit featurettes (22:50) are included here as well. 

“Ergo, Concordantly, Assiduously, Vis a Vis, Inexorably, Apropos…” 
Six months have past since Neo (Keanu Reeves) learned that he was “The One” destined to liberate humanity from their enslavement by the machines that keep them in a virtual dream world while using their bodies like batteries in a bizarre symbiotic relationship called The Matrix. Neo has been suffering from nightmarish visions where he sees his lover Trinity (Carrie-Anne Moss) die. He is also uncomfortable with the messianic following that has grown around him as more and more devotees leave gifts for him and ask for his blessings as if he was the second coming and for them he might as well be. The machines are burrowing deep into the Earth on a mission to destroy Zion, the last refuge for humanity on Earth. In less than twenty-four hours they will breakthrough with enough force to exterminate every last living being there. Morpheus (Laurence Fishburne) sees this as a sign that the century long war against the machines will soon be over and the prophecy will be fulfilled. So they leave Zion in an attempt to gather intelligence from The Oracle within the Matrix. With the fate of humanity resting upon his shoulders, Neo is troubled about his destiny. He wonders if his visions of Trinity’s death are what will be or what could be? A question not easily answered by the Oracle as Neo discovers his old nemesis Agent Smith (Hugo Weaving) has somehow discovered away to replicate himself and is bent on getting back what he believes Neo has stolen from him, his purpose. Soon Neo, Trinity, and Morpheus are following the Oracle’s instructions and searching for a man known only as “The Key Maker” (Randall Duk Kim) in a race that pits them against new enemies as the future for all is held in he balance of Neo’s choice.

What are great about The Matrix Trilogy films are the multiple layers in which one can view it. You can see them as simply sci-fi action pictures or you can see them as more. One thing I have noticed since watching the film again on is that like the first film, there are little subtle things that are easy to miss the first time around, but add greater dimension to both the fantasy world of the films and what one brings out of them. For instance in Neo’s meeting with The Oracle, she tells him that strange occurrences that people will sometimes refer to as werewolves or UFOs is a program doing something it is not supposed to do. Later when Monica Bellucci’s character introduces Neo, Trinity, and Morpheus to two body guards she describes as “being kept around because their hard to kill,” she then takes out a hand gun and says “But how many people carry silver bullets” and then shoots one in the head, killing him while ordering the other one out. Does that mean that these earlier versions of the Agents were what we might call werewolves? I don’t know for certain, but it certainly is an interesting prospect.

A lot of people who saw the film got lost in all of the philosophy and while I personally enjoyed that aspect of the film, I can understand why some people got lost. Though I do not consider myself to be Gnostic, I have to admit that there is something to be said about that school of metaphysical thought. I noticed while watching The Matrix Reloaded is that even one of the hovercrafts is named the Gnosis. This takes me to the conversation between Neo and Architect of the Matrix and its relationship to Zion.

*********DANGER – BIG – TIME – POSSIBLE – SPOILERS*************
Basically Zion and The Matrix are a part of the same game. It does not matter if Neo is on VR or reality because the Architect has already stated that the cycle has occurred before. The Matrix has been around a lot longer than Neo realizes.

To account for the anomalies that occur as a result of the imperfect world the human minds need to believe they are not in the Matrix, the Oracle creates the myth and a few humans are allowed to think to escape the Matrix and a war over their minds and souls begin.

At a certain point the Architect has Zion destroyed and reboots the Matrix and the process starts over again. So in a sense, they are all trapped like a hamster on a wheel. Trapped in creation. Very Gnostic is it not? All three worlds, the Matrix, the Machine located in their city and the humans in Zion need to reconcile in order for the wheel of fire to be quenched and stop turning.

So it is not a question any more of what is the Matrix and why does it exist, but can humanity, sentient programs and machines rise above the cycle of creation and destruction. This makes the premise Buddhist in nature too

Zion is a component of the Matrix because it is all a form of control. Humans depend on machines that depend upon humans. Sort of like the Vorlons and The Shadows in Babylon 5. In that series’ first three seasons we are lead to believe that an alien race called the Vorlons are the good guys, however their actions become increasingly questionable until a guru like figure named “Lorien” helps the series’ hero realize that essentially "Understanding is indeed a triple edged sword." Another alien race in direct opposition to the Vorlons, referred to as "The Shadows," are basically playing a deadly game of intergalactic chess with The Vorlons, to see who will shepherd the younger alien life forms for the next thousand years. Will it be through order or chaos?  In that series the hero makes a great sacrifice to free everyone from that cycle of imposed war, peace, and control. In the third film Neo does make a great sacrifice to free humanity in Zion the sentient programs in the Matrix, the machines in Zero One, and finally reveal the whole “truth" to all.

Neo may be the one who is, but was not the one at the time of when he first visited the Oracle in the first film. Similarly in Babylon 5 we learn our protagonist named “Sheridan” is the one who will be, his female counterpart is the one who is, and the man who was the commander of the station in the first season of the series is the one who was. I bring this comparison up because in the film before Neo leaves Zion to meet the Oracle, a character known as “The Kid” gives him a spoon from one of the orphans whose mind was liberated from the Matrix. This orphan must have been the one Neo encountered while he was waiting to meet the Oracle for the first time. In the film the boy appears to be making the spoon bend through the force of will of his mind. He then hands the spoon to Neo who tries to do the same, but he also tells Neo something to the extent that it is not about knowing how to bend the spoon that is important, but knowing that the spoon isn't really there at all.
***************END – OF – POSSIBLE – BIG – SPOILERS**************

The Matrix Reloaded is presented in a widescreen (2.35:1) aspect ratio with English Dolby ATMOS TrueHD 5.1 Surround Sound as well as a French and Spanish Language Dolby Digital 5.1 Surround Soundtrack and English Subtitles for the hearing impaired as well as French and Spanish Language Subtitles preset onto the first disc as options. The picture and sound presentation for The Matrix Reloaded is terrific. There is only a slight amount of grain that is easy to look over while watching the amazing action set pieces and eye catching production design. The colors are solid throughout. We have the green tint when the characters interact within The Matrix, but it is not only a lot more solid in appearance, but it is less obstructive too. The other colors, however muted they might appear at times, still come through vibrantly. The English Soundtrack is terrific too with excellent separating of the sound effects, clear dialogue and an overall ambient quality that combined with the picture truly engages the viewer to delve into the world of the Matrix from the comfort of their home theater systems. 

“The Path of the One is made by the Many…” 
There are two feature length audio commentary tracks. As with The Matrix, Philosophers Dr. Cornel West and Ken Wilber provide an intriguing commentary track that looks at the film from the point of view of being the second act of a much larger theatrical production. They get heavily into the metaphysical implications of the story as well as the commercial expectations from audiences who waited four years between the original theatrical release of The Matrix and it’s first sequel, The Matrix Reloaded. Interestingly the second commentary track on disc one, which features Critics Todd McCarthy of Variety, John Powers of Vogue, and David Thomson, Author of The New Biographical Dictionary of Film, revealed the obvious different critical point of view that in many ways contrasts the first commentary track statements. However I think the critical point of view is correct and yet I also agree with the philosophical point of view too. How can this be? Anything you encounter in life to some extent is textured by what you project onto it. The Matrix Reloaded is no different. Critics and Philosophers should not have a hundred percent agreement in my opinion. They are looking at it from their point of view and as a result these commentaries more so than the tracks on The Matrix reveal The Wachowski’s brilliance in experimenting with this kind of extra value material instead of the traditional filmmakers’ commentary. I find truth to both tracks and listening to them broadened my understanding of the film too. I don’t agree with everything, but I also think that in a way there is no definitive answer because in the end these films are truly about what we as viewers invest into them as well as what the films give us in return. 

The Matrix Reloaded Revisited is a collection of featurettes exclusive to this set that can be viewed individually or as one reel per topic. The first part are the 23 scenes shot for the “Enter The Matrix” video game (42:30) complete with a brief introduction by Producer Joel Silver. These scenes are presented in a letterboxed (2.35:1) aspect ratio with English Stereo Sound. Some of these scenes could have been inserted into the film and may have benefited it greatly because they do enhance the side characters greatly and help to clarify certain elements in the trilogy as a whole. Other scenes simply repeat the action from the feature film or are occurring simultaneously in such a way that there is no way to truly cut them into the film without having to reset the entire structure of the movie. While I appreciate the fact that these 23 scenes originally shot for the game can be viewed without having to play the game, I wish they were presented with true anamorphic enhancement and 5.1 Surround Sound instead of being letterboxed with Stereo Sound. 

I’ll Handle Them (17:09) is a collection of four featurettes focusing on the production design within the Merovingian’s great hall and the fighting choreography. All of the featurettes are presented in a full screen (1.33:1) aspect ratio with English Stereo Sound. The featurettes for each section can be viewed individually or collectively with the “Play All” feature. The other sets focus on The Teahouse Fight (7:04), the brawl between Neo and Smith after his meeting with the Oracle in The Matrix Reloaded (40:24) and the Car Chase (55:15). Each features detailed storyboard to completed scene comparisons, previsualization tests, and lots of behind-the-scene footage from the production. 

The final two featurettes that make up all 21 parts of The Matrix Reloaded Revisited focuses on The Exiles with the Actors discussing their characters of the Merovingian, Persephone, The Key Maker, and even the Architect. 

“Everything That Has A Beginning Has An End.”
When we last saw Neo (Keanu Reeves), he had successfully saved Trinity (Carrie-Anne Moss) by literally reaching into her heart and restarting it while they were still within the matrix. Shortly after getting out, their hovercraft is destroyed and the surviving crew are all but dead meat at the tentacles of the squid like machine sentinels, but Neo amazes everyone when through his own force of will, he is able to set off an EMP burst that incapacitates the sentinels before he slips into a coma. Now aboard another hovercraft sent from Zion, Morpheus (Lawrence Fishburne) and Trinity learn that the preemptive strike sent from Zion was sabotaged and the only survivor from the failed mission is the prime suspect. However he too is in a coma and harboring a deadly surprise.

The original Matrix feature film was such a bombshell hit that it spawned endless discussions, essays, and even became one of the best selling films on DVD to ever be released since the format was first introduced in 1997. However while the promise and even the seductive lure for a sequel to The Matrix was quite understandable, the truth is that the film stands just fine on it’s own. The two sequels were shot collectively and released theatrically six months apart. While many complained that The Matrix Reloaded was at times incomprehensible and a bit slow, others appreciated the fact that the film was ambitious enough to raise even more questions, which would somehow all be answered in the third and final film The Matrix Revolutions.

Unfortunately many of the questions The Matrix Reloaded posed were never answered and some of the new characters introduced in both films seem only to have been glorified cameos with no real dramatic payoff. It seems as if somewhere between the second and third films drastic changes were made resulting in a film that focused too much on the effects action at the expense of satisfactorily resolving some of the character arcs in the trilogy.

Having seen all three films now both theatrically and on home video I think that as a whole, The Matrix Trilogy feels incomplete. I could go into what my interpretations of the events of the film were and they were definitely quite archetypal complete with biblical sacrifices and more, but in some ways I’m still a bit disillusioned by the conclusion presented in the third film to a point where I almost wish they left things alone after making the first film. I am a huge sci-fi fan too so for me to state that in a review still means a lot. Regardless of what I expected and what I got, I have no doubt The Matrix Trilogy has earned it’s place as one of the most creative sci-fi storylines ever put on film, but as far as cohesiveness, it leaves a lot undone.

My gripes about the storylines aside, the two audio commentary tracks included on the first disc, which feature Philosophers Dr. Cornel West and Ken Wilber and Critics Todd McCarthy of Variety, John Powers of Vogue, and David Thomson, Author of The New Biographical Dictionary of Film. West and Wilbur make a very compelling case from the advantage of looking at the entire trilogy as a whole by stating that Neo’s journey to redeem both humanity and the machines and bring peace comes from uniting the world of the flesh, which the characterize as Zion, the world of the mind where the ideas are often argued out loud as in the matrix itself, and the world of the spirit as seen by the lights Neo perceives in the machine city of Zero One

Neo’s sacrifice blazes not only peace, but also freedom and hope for all sentient life forms both artificial and organic to begin a brave new world. Of course the Critics make their points from a film structure standpoint that has a lot of validity though at times some of their comments are wrong because if they watched the films closely the answers are there and you don’t have to know anything about philosophy to see them. However I have to stick up for the Critics when West and Wilbur jest about how the Critics are somehow responsible for dumb entertainment. If anything I’d say we are all responsible, but one person’s garbage is another person’s art and Critics should look at a film differently from a Philosopher because quite honestly their jobs are so different that expecting anyone to react the same way to something, especially when their professions are vastly dissimilar is like comparing apples and oranges. The amount of thought, appreciation, and inner conversation these tracks set in motion for all three films makes them in my opinion among the best if not the best of the extra value features. 

The transfer is impeccable with an anamorphic widescreen (2.35:1) aspect ratio presentation that preserves the manner in which the film was exhibited theatrically as close as possible for home video users. The English Dolby ATMOS TrueHD Surround Soundtrack is not as aggressive as I had hoped it would be, but it is very clear with a nice ambient quality and well mixed too. A French and Spanish Language Dolby Digital 5.1 Surround Soundtrack and English Subtitles for the hearing impaired as well as French and Spanish Language Subtitles are encoded onto the first disc as options. 

The Matrix Revolutions Revisited is presented in a full screen (1.33:1) aspect ratio with English Stereo Sound and French Language Subtitles encoded as an option. Six documentary short groupings regarding the films details a total of 28 featurettes that can be viewed individually or collectively according to the topics covered, which include a look at the Crew (24:59) and their role in bringing the film to fruition, a look at the action sequences in club HEL (27:34), which even includes an interesting look at the made up extras that participated in the memorable sequence. The Super Burly Brawl featurettes (16:52) includes an anatomy of the Superpunch Neo delivers to Smith in their climactic confrontation within the matrix. The Siege featurettes (40:06) also includes an anatomy of Mifune’s Last Stand in the defense of Zion. Personally I enjoyed the New Blue World featurettes the most (26:06) because it gives the viewer a better understanding and clearer view of what Zion is supposed to be. In the film, some of the scenes just seem too monochromatic and as a result much of the rich detail of Zion can easily be missed. At least here we actually get a look at the geographic set up of Zion, which is supposed to be the home of 250,000 humans. A look at the various hovercraft and machinery is also included along with a detailed explanation of the production design for the various sets. A set of postproduction featurettes under the heading Aftermath (39:46) concludes the materials within The Matrix Revolutions Revisited

An insert containing a limited time only redeemable code for a digital copy of all three films in the trilogy is included within the set too. The Matrix Trilogy: 4K Ultra HD Blu-ray Disc Set is now available at retailers on and offline courtesy of Warner Brothers Home Entertainment.

© Copyright 2018 By Mark A. Rivera 
All Rights Reserved.

Thursday, November 29, 2018

Johnny English Strikes Again On January 8, 2019.

Universal City, California, November 29, 2018 – The beloved Rowan Atkinson (Mr. Bean) returns as the much-loved accidental secret agent in the third installment of the hilarious, action-packed spy mission, Johnny English Strikes Again arriving on Digital January 8, 2019 and on Blu-ray, DVD and On Demand January 22, 2019 from Universal Pictures Home Entertainment. Johnny English and his sidekick Bough are back in this hysterical comedy filled with even more action and more laughs for the whole family to enjoy. From one of Britain’s leading comedy directors David Kerr (Inside Number 9), the film boasts an all-star cast including Ben Miller (Paddington 2), Olga Kurylenko (Quantum of Solace), Jake Lacy (Carol), and Academy Award® winner Emma Thompson (Saving Mr. Banks).
When a cyber-attack reveals the identity of all active undercover agents in Britain, the country’s only hope is called out of retirement. English’s new mission is his most critical to date: Dive head first into action to find the mastermind hacker. A man with few skills and analog methods, English must overcome the challenges of modern technology—or his newest mission will become the Secret Service’s last.
Loaded with over 30 minutes of exclusive bonus features, Johnny English Strikes Again on Blu-ray, DVD and Digital include an up-close look at the carefully selected film locations and detailed sets as well as Johnny’s notable collection of gadgets and cars, along with a breakdown of the extraordinary cast, diving deeper into the legacy of  everyone’s favorite hapless spy!
  • The Comedy Genius Of Rowan Atkinson - A look at Rowan’s comedic talents – the meticulous attention to detail that is the hallmark of his work. Johnny English combines the best of Rowan – a skillful use of dialogue and slapstick.
  • The Johnny English Legacy - What has changed in the series this time around... for Johnny... and for the world? In this piece, we learn from the cast and film-makers how the character has evolved and what’s changed without changing the core of the incompetent agent we have come to know and love.
  • Virtual Reality Johnny English Style - Virtual reality might be everywhere, but no one does it quite like our intrepid agent English.
  • The Gadgets - Rowan leads us through his notable collection of gadgets as the team provides insights into their creation.
  • The Cars - Rowan is a well-known auto enthusiast, and had a big say in the choice of cars used in the film. Olga Kurylenko joins in on the fun and discusses her driving scenes including the differences between shooting for Johnny English 3 and Quantum of Solace.
  • Locations and Design - The movie may be all about the laughs, but the set designs and the locations are the real deal. From Johnny’s bedroom, to the MI7 and Prime Minister Offices, and Volta’s suite in the castle, every detail is carefully crafted.  And nothing beats shooting on location – from the south of France to the streets of London, Agent English is well-traveled.
  • A Cast Of Characters - With a lead like Rowan Atkinson, the supporting cast has to be just a strong. We shine the spotlight on this veritable cast of characters:
    • Ben Miller as Bough
    • Olga Kurylenko as Ophelia
    • Emma Thompson as the Prime Minister
    • Michael Gambon as Agent 5
    • Charles Dance as Agent 7
    • Edward Fox as Agent 9
  • Feature Commentary with Director David Kerr
Cast: Rowan Atkinson, Ben Miller, Olga Kurylenko, Jake Lacy and Emma Thompson
Music By: Howard Goodall
Hair and Makeup Designer: Graham Johnston
Costume Designer: Annie Hardinge
Editor: Mark Everson
Production Designer: Simon Bowles
Director of Photography: Florian Hoffmeister, BSC
Co-Producer: Andrew Warren
Executive Producers: Liza Chasin, Willian Davies
Produced By: Tim Bevan, Eric Fellner, Chris Clark
Screenplay By: William Davies
Directed By: David Kerr

New Wave: Dare To Be Different DVD Review

Growing up in the 1980s, WLIR was like. Mecca in a sea of top 40 radio stations because I was and have been and always will be a fan of New Wave, College Music, Alternative as well as the roots that lead to it and some of the music that followed. In late 1987 WLIR lost it's broadcast license and a legendary musical trendsetter that broke bands during the second British Invasion, was an influence on other radio stations on the west coast as well as MTV, disappeared. Well sort of. The documentary focuses on the origins and development of WLIR, a small midrange broadcaster located on Long Island that rose from relative obscurity to being cancelled essentially as it was reaching new heights that put it in direct contention with the radio establishment and despite their vaster resources, could not compete with LIR and so the documentary implies that they collaborated with the FCC to get LIR off the air.

After LIR ceased broadcasting, a station called WDRE continued where LIR left off with many of the DJs moving there as well as certain contests and catch phrases being slightly altered so that they would not infringe upon the intellectual property that the people who got the LIR license owned as a result. Again, the documentary does not cover this part, but you can read about it on Wikipedia. WLIR is now back complete with an app to stream live broadcasts online available on iOS and Android. In addition, any fan of LIR should visit their website, which is:

The documentary is a must see for anyone nostalgic for LIR and the music they broke over the airwaves in the 1980s and super fans will also want to add the DVD to their collections.

Featuring interview clips with Curt Smith of Tears For Fears, Lol Tolhurst of The Cure, Nick Rhodes of Duran Duran, and Billy Idol among many other music personalities of the 1980s, the documentary also gives a voice to the people behind the scenes like Progrqm Director Denis McNamara, and Staff members that include Daphne Blue, Ben Manilla, Jeff "Beck" Carlson, Donna Donna, Malibu Sue McCann, Larry "The Duck" Dunn as well as McNamera's children, Dan McNamera and Cassie Reilly.

The DVD for New Wave: Dare To Be Different presents the documentary in a 16 by 9 enhanced (1.78:1) aspect ratio. With a choice of either an aggressive English Dolby Digital 5.1 Surround Soundtrack and a full sounding English Stereo Soundtrack as well as English Closed Captions for the Deaf and Hearing Impaired encoded as options.

Bonus clips featuring Denis McNamera (1:35), Documentary Director Ellen Goldfarb (1:01), stories by the musical artists about WLIR (6:08) and DJ stories (7:58) wrap up the bonus content on this DVD.

New Wave: Dare To Be Different will debut on DVD-Video on December 7, 2018 at retailers on and offline courtesy of MVD Visual.

(C) Copyright 2018 By Mark A. Rivera
All Rights Reserved.

Tuesday, November 27, 2018





On Blu-ray and DVD February 5, 2019 with Never-Before-Released Bonus Content


HOLLYWOOD, Calif.  – Take the ultimate journey into the unknown with the heart-pounding sci-fi thriller THE CLOVERFIELD PARADOX, arriving on Blu-ray and DVD February 5, 2019 from Paramount Home Media Distribution.  Featuring over 25 minutes of never-before-seen bonus content including behind-the-scenes interviews with the cast and crew, THE CLOVERFIELD PARADOX Blu-ray and DVD are must-own discs for your collection.  The film will also be available as part of the new Cloverfield 3-Movie Collection on Blu-ray and DVD.


THE CLOVERFIELD PARADOX Blu-ray and DVD each include a making of documentary that delves into the inspiration for the story and how the film went from concept and design to completion.  The discs also include interviews with the cast as they reflect on the experience of bringing the sci-fi thriller to life. 


The third film in producer J.J. Abrams’ thrillingCloverfield franchise, THE CLOVERFIELD PARADOX follows a group of scientists orbiting Earth on the brink of a devastating energy war.  They prepare to test a device that could provide unlimited power…or trap them in a terrifying alternate reality.  The film features a sensational international cast including Daniel Brühl (Captain America: Civil War), Elizabeth Debicki (Guardians of the Galaxy Vol. 2), Aksel Hennie (Hercules), Gugu Mbatha-Raw (A Wrinkle in Time), Chris O’Dowd (“Get Shorty”), John Ortiz (Silver Linings Playbook), David Oyelowo (Selma), and Ziyi Zhang (Crouching Tiger, Hidden Dragon).



The Blu-ray is presented in 1080p high definition with English Dolby Atmos®*, French 5.1 Dolby Audio, Spanish 5.1 Dolby Audio, Portuguese 5.1 Dolby Audio, and English Audio Description and English, English SDH, French, Spanish, and Portuguese subtitles.  The Dolby Atmos soundtrack was remixed specifically for the home to place and move audio anywhere in the room, including overhead.


·         Feature film in high definition

·         Bonus Content:

o   Things Are Not as They Appear: The Making ofThe Cloverfield Paradox

o   Shepard Team: The Cast



The DVD is presented in widescreen enhanced for 16:9 televisions with English 5.1 Dolby Audio, French 5.1 Dolby Audio, Spanish 5.1 Dolby Audio, and English Audio Description and English, French, and Spanish subtitles.  


·         Feature film in standard definition

·         Bonus Content:

o   Things Are Not as They Appear: The Making ofThe Cloverfield Paradox

o   Shepard Team: The Cast








REBECCA VALENTE  Production Designer DOUG MEERDINK   Director of Photography DAN MINDEL, ASC



Produced by J.J. ABRAMS, p.g.a.  LINDSEY WEBER, p.g.a.

Story by OREN UZIEL and DOUG JUNG  Screenplay by OREN UZIEL  Directed by JULIUS ONAH


Thursday, November 15, 2018

Next Week On USA.

“Must - Watch” MOVIES
LITTLE FOCKERS – Friday, November 23 at 7:30a/6:30a c
VACATION – Friday, November 23 at 9:30a/8:30a c
GET HARD – Friday, November 23 at 11:30a/10:30a c
THE LONGEST YARD – Friday, November 23 at 1:30p/12:30p c 
MEN IN BLACK II – Friday, November 23 at 4p/3p c
MEN IN BLACK – Friday, November 23 at 6p/5p c
A MADEA CHRISTMAS – Friday, November 23 at 8p/7p c
IT’S A WONDERFUL LIFE – Saturday, November 24 at 8p/7p c
THE FAMILY MAN – Saturday, November 24 at 10p/9p c *NEW-TO-USA*
Emanating live for three hours from the Staples Center, Los Angeles, California, MONDAY NIGHT RAW® features WWE Superstars Roman Reigns, Seth Rollins, Alexa Bliss, Sasha Banks, Samoa Joe and more.
Emanating live for two hours at 8/7c from Staples Center, Los Angeles, California, SMACKDOWN LIVE® features WWE Superstars AJ Styles, Charlotte Flair, Becky Lynch, The New Day, Jinder Mahal, Randy Orton and more.
REAL COUNTRY “Hitting the Road” – 10/9c
This week Shania Twain, Jake Owen and Travis Tritt welcome special guest, Wynonna.
Media Village Link
CHRISLEY KNOWS BEST “Thanksgiving Marathon” MARATHON  6:00am – 8:00pm
We've got a whole day of Todd & co. to keep you entertained during cooking, eating, family togetherness, family fights, food comas and all the in between. Happy Thanksgiving!
Catch episodes of What’s Cooking with Julie Chrisley throughout the day as Julie shows us how to make all of our favorite sides for Thanksgiving!
NCIS “Season 15 Marathon” MARATHON  11:00am – 8:00pm
What's better than watching USA's newest season of NCIS? Watching it commercial free! Tune-in and watch Netflix style from 8p-11p.

Next Week On SYFY.

HANNA – Monday, November 19 at 9:30a/8:30a c
SKIPTRACE – Monday, November 19 at 2p/1p c
THE MECHANIC – Monday, November 19 at 4:30p/3:30p c
COLOMBIANA – Monday, November 19 at 6:30p/5:30p c
I AM NUMBER FOUR – Monday, November 19 at 8:30p/7:30p c
BRUCE ALMIGHTY – Tuesday, November 20 at 6p/5p c
PIRATE OF THE CARIBBEAN: DEAD MAN’S CHEST – Tuesday, November 20 at 8p/7p c
THE CHRONICLES OF NARNIA: PRINCE CASPIAN – Wednesday, November 21 at 11a/10a c
PIRATES OF THE CARIBBEAN: ON STRANGER TIDES – Wednesday, November 21 at at 8p/7p c
RESIDENT EVIL: APOCALYPSE – Friday, November 23 at 4:30p/3:30p c
RESIDENT EVIL – Saturday, November 24 at 9a/8a c
RESIDENT EVIL: EXTINCTION – Saturday, November 24 at 1p/12p c
HE-MAN AND SHE-RA: A CHRISTMAS SPECIAL – Sunday, November 25 at 8:30a/7:30a c *NEW-TO-SYFY*
MARVEL SUPER HERO ADVENTURES: FROST FIGHT! – Sunday, November 25 at 9:45a/8:45a c *NEW-TO-SYFY*
SKYFALL – Sunday, November 25 at 11:30a/10:30a c
THE ADDAMS FAMILY – Sunday, November 25 at 10:15p/9:15p c
“All in the Family Marathon” MOVIES
THE INCREDIBLE HULK – Friday, November 23 at 6:30p/5:30p c 
FAST FIVE – Saturday, November 24 at 5:30p/4:30p c
ANT-MAN – Saturday, November 24 at 8:30p7:30p c *NEW-TO-SYFY*
“Harry Potter Thanksgiving Marathon” MOVIES
HARRY POTTER AND THE SORCERER’S STONE – Wednesday, November 21 at 11p/10p c
HARRY POTTER AND THE CHAMBER OF SECRETS – Thursday, November 22 at 2:30a/1:30a c
HARRY POTTER AND THE PRISONER OF AZKABAN – Thursday, November 22 at 6:25a/5:25a c
HARRY POTTER AND THE GOBLET OF FIRE – Thursday, November 22 at 9:25a/8:25a c
HARRY POTTER AND THE ORDER OF THE PHOENIX – Thursday, November 22 at 1p/12p c
HARRY POTTER AND THE HALF-BLOOD PRINCE – Thursday, November 22 at 4p/3p c
HARRY POTTER AND THE DEATHLY HALLOWS PART 1 – Thursday, November 22 at 7:25p/6:25p c
HARRY POTTER AND THE DEATHLY HALLOWS PART 2 – Thursday, November 22 at 10:30p/9:30p c
Z NATION “Heartland” – 9/8c
Our heroes arrive in the farming outpost that produces flour for bizkits and find it overrun by zombies. 
VAN HELSING “Crooked Steps”  10/9c
On a distant island, Vanessa and Scarlett battle the Third Elder which leads Vanessa to make a choice about her path forward, one that Scarlett does not agree with. 

Wednesday, November 14, 2018

Krypton Comes To Blu-ray™ & DVD On March 5, 2019

This Is Only The Beginning. There's More To The DC Legend!

Krypton:  The Complete First Season


Extras Include Featurettes, Comic-Con Panel, 

Deleted Scenes and a Gag Reel!


The Revelation Comes to Light On 

Blu-ray™ & DVD March 5, 2019


BURBANK, CA (November 14, 2018) – Krypton, the all-new series from executive producers David S. Goyer (Man of SteelThe Dark Knight Trilogy) and Cameron Welsh (Constantine) tells the origin story of DC’s iconic Superman in a whole new way! Just in time for the second season on SYFY, Warner Bros. Home Entertainment will release the action-adventure hit series Krypton: The Complete First Season on Blu-ray and DVD on March 5, 2019. Fans can purchase the set which, in addition to all 10 exhilarating episodes from season one, contains over an hour of extra content, including the 2017 Comic-Con panel, featurettes, deleted scenes and a gag reel. Krypton: The Complete First Season is priced to own at $24.98 SRP for the DVD and $29.98 SRP for the Blu-ray which includes a Digital Copy. Krypton: The Complete First Seasonis also available to own on Digital via purchase from digital retailers.


What if Superman never existed? Set two generations before the destruction of Superman’s home planet, Kryptonfollows a young Seg-El, the legendary Man of Steel’s grandfather, who is faced with a life and death conflict – save his home planet or let it be destroyed in order to restore the fate of his future grandson. With Krypton’s leadership in disarray and the House of El ostracized, Seg fights alongside Earthly time-traveler Adam Strange to redeem his family’s honor and protect the ones he loves while saving the future of his legacy from DC Super-Villain Brainiac. 


With Blu-ray’s unsurpassed picture and sound, the Blu-ray release of Krypton: The Complete First Season will include 1080p Full HD Video with DTS-HD Master Audio for English 5.1. The 2-disc Blu-ray will feature a high-definition Blu-ray and a Digital Copy of all 10 episodes from season one. 


Krypton stars Cameron Cuffe (New Year’s Eve), Georgina Campbell (One Night, Black Mirror), Shaun Sipos (Final Destination 2), Colin Salmon (Arrow), Elliot Cowan (The Golden Compass), Ann Ogbomo (Wonder WomanJustice League), Aaron Pierre (BritanniaThe A Word), Rasmus Hardiker (Your Highness), Wallis Day (Will), with Blake Ritson (Da Vinci’s Demons, Indian Summers) and Ian McElhinney (Game of Thrones). Based on the DC characters created by Jerry Siegel and Joe Shuster, Krypton is from Phantom Four Films in association with Warner Horizon Scripted Television and is executive produced by David S. Goyer alongside Cameron Welsh. 



      Krypton: 2017 Comic-Con Panel

      KryptonBringing the Home World to Life

      A Lost Kingdom: Life on Krypton

      Gag reel 

      Deleted Scenes 



1.    Pilot

2.    House of El

3.    The Rankless Initiative

4.    The Word of Rao

5.    House of Zod

6.    Civil Wars

7.    Transformation

8.    Savage Night

9.    Hope

10. The Phantom Zone




The first season of Krypton is also currently available to own on Digital. Digital purchase allows consumers to instantly stream and download all episodes to watch anywhere and anytime on their favorite devices. Digital movies and TV shows are available from various digital retailers including Amazon Video, iTunes, Google Play, Vudu and others. A Digital Copy is also included with the purchase of specially marked Blu-ray discs for redemption and cloud storage.



Street Date: March 5, 2019

BD and DVD Presented in 16x9 widescreen format

Running Time: Feature: Approx. 600 min

Enhanced Content: Approx. 61 min